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No. 2/No. 30 (Yellow Center) Art Print
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No. 2/No. 30 (Yellow Center)
 
4.0

(based on 1 review)

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Reviewed by 1 customer

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Posted on: 11/16/2011
 
4.0

good value

By a

from lpool

Verified Buyer

Pros

  • Perfect Size
  • Vibrant Colors
  • Visually Appealing

Cons

    Purchase Reason

    • Decoration

    Comments:

    fine

    • Age:
    • 35 – 39
    • Gender:
    • Male
    • Display Location:
    • Living Room

    Bottom Line Yes, I would recommend this to a friend

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    No. 2/No. 30 (Yellow Center)

    by Mark Rothko

    Art Print

    70 x 100 cm
    Item #: 4199619
    Usually ships in
    5-10 Days

    Our Price:
    49,99 €
    div_lc_sb_pp_01|http://cache1.allpostersimages.com/images/INTL/allposters/ie/en/livechat/LiveChatBTN.gif |http://chat.art.com/WebChat/Main.aspx?QueueName=WWW.ALLPOSTERS.IE&langiso=en&countryiso=IE |ProductPage |Available Chat Link Clicked |44799 |http://cache1.allpostersimages.com/images/INTL/allposters/ie/en/livechat/spacer.gif |img_lc_sb_pp_01
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    4199619 0 0 4199619 e3749ec1a0b24ae3b2a61f2a62d5551e 978 EUR 1 2 cm Wall Color Select your Wall Color Displaying of Don't see the frame you like? Frame it yourself Framed Art Print
    Frame It No. 2/No. 30 (Yellow Center) Art Print
     
     
     
    		 
     
       
     
    		 
    		 
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    Product Information

    This fine art print was produced in an edition of 500 prints. Exhibition poster by Mark Rothko "No. 2/No. 30 (Yellow Center)" published and designed by the Beyeler Fondation in Basel, Switzerland. Large sheet, heavy stock, great printing and small edition. Condition A: Mint

    About the Artist

    Acclaimed for founding Abstract Expressionism, Mark Rothko (1903-1970), was a Russian immigrant and a preeminent artist of his generation. His insatiable scholarly quest and his fascination with concepts of mortality and spirituality deeply influenced his art. Rothko’s tendency to place the darkest shades of his spare palette at the top of his oversized canvases was meant to symbolize the mental depression that plagued him, yet his late period obsession was dominated by color, adventure and passion.

     
     
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